Most distinctive features of Bhutan are their traditional dress, unique garments that have evolved over thousands of years. Men wear Gho, knee –length robe somewhat resembling a kimono that is tied at the waist by a traditional belt known as Kera. The pouch which forms at the front traditionally was used for carrying food bowls and a small dagger. However, today it is more accustomed in carrying small articles such as wallets, mobile phones and Doma (bettle nut).
Women wear Kira, a long ankle-length dress accompanied by a light outer jacket known as Tego with an inner layer known as Wonju. People like Brokpas and the Bramis of eastern Bhutan generally wear clothing that differs from the rest of the Bhutanese population. They wear dresses woven either out of Yak or Sheep hair. Bhutanese wear scarves when visiting Dzongs and other Administrative centers. The scarf worn by men is known as Kabney while those worn by women are known as Rachus.
There is no rigid class system in Bhutan and social and educational opportunities are not affected by rank or birth. Bhutanese women enjoy equal rights and opportunities as with men. Both men and women are free to choose their partners for marriage and both can initiate a divorce.
Monks are held in great respect and play an important part in community life. Representatives of the monk body are present at all important occasions. In the past, it was common for one son from each family to enter the monastic order, a custom that is less prevalent today.
Unlike many countries, traditional arts, age-old ceremonies, festivals, social conduct and structures are not remnants of a bygone age. Traditional arts and crafts are still practiced as they were done hundreds of years ago. Vibrant festivals are celebrated and social principles like the Driglam Namzha (age old etiquette and code of conduct) are still evident because they continue to have a special significance in the daily lives of the people.
Unlike many countries, traditional arts, age-old ceremonies, festivals, social conduct and structures are not remnants of a bygone age. Traditional arts and crafts are still practiced as they were done hundreds of years ago. Vibrant festivals are celebrated and social principles like the Driglam Namzha (age old etiquette and code of conduct) are still evident because they continue to have a special significance in the daily lives of the people.
Bhutan’s traditional culture is alive in its performing arts, such as dance and music, which are an integral part of religious ceremonies. In addition, secular performances such as dance, songs, traditional instrumental music, drama based on biographies of religious personalities hold a special place in the lives of the people as they play an important role in national, village, or domestic functions and festivals. Bhutan’s textile tradition has, in recent years, gone international. The distinct technique, colour and style of indigenous Bhutanese weaving are being increasingly appreciated by textile specialists, collectors and users.
